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What We're Good At: Marches, Rallies, et al

What We're Good At: Marches, Rallies, Et Al.  A Case Study

 

by David Rambeau

During the recent insurgent community action around Detroit Mayor Kwame Kilpatrick and his nine month fall from grace and power, a Detroit City Councilman produced a performance event at City Hall in the large auditorium on the 13th floor.  He had a few months earlier produced a similar event in a local church.  Both were typical of black so-called leadership's response to serious social issues or urban challenges.

 

To respond to crises, Detroit's pundits, preachers, spokespeople, elected officials, candidates, leaders, wannabe leaders and anyone else loitering nearby have a set formula regardless of the conflict.  They resort to the tried and true, to what we're good at producing based on decades, if not centuries, of practice: rallies, meetings, marches, speeches, praying and singing, all of which have little material value or measurable results though they may provide some psychic relief or spiritual uplift.

 

We are noticeably short on: agenda development and communication, study, research, debate, planning, recruitment, organizing, coalitions, clean-up, written reports, critical analysis, financial underwriting, follow-through or archiving.  No surprise then, that our problems recur with each generation.  So these are areas of growth that we all need to pay in-depth attention to.  We can all address these topics at the public library on a weekly basis, on the Internet on a daily basis, and personally or in a small group with a mentor or mentors (a teacher, not a leader).  Once we have reached some level of skill, we need to put our knowledge into action with a cadre of colleagues operating within our community. 

 

The proverb states, "Fine words will not grow wheat."  Thus, when the people are hungry and must go to community pantries, we don't need speeches, we need farmers.  When the people are homeless, we don't need spokesmen, we need builders.  When we need mechanics to repair bicycles, cars, trucks, buses and trains, we don't need singers.  When we need instruction in math, English and science, we don't need meetings, parties and award ceremonies. 

 

In the 60s the slogan was, "Power to the People."  In the 80s it was, "Fight the Power."  Now it should be, "Production to the People."  Six examples of production operations, among many I could cite, to use as models include: Black Masks Magazine, publisher, Beth Turner, New Federal Theater, producer, Woodie King, Jr., Project BAIT, producer David Rambeau, National Black Theater Festival, producer Larry Hamlin (dec.) Timbooktu.com, publisher Memphis Vaughn, Jr. and the Metro Business Information Guide, publisher Chris Woodard.  These can be researched in depth via your local library or on an Internet search engine.  You are invited to add to this list or develop one that suits your interests, background, support or participation.

 

You should also pick seven (7) organizations (not individuals) in our community that you can personally vouch for, that you would recommend for study, for use as a model, organizations that have a track record, that have had an uplifting impact on our people.  Next, let's examine how these organizations (not individuals) productively network (not socialize) with other organizations.  Then let us continue our discussion of solutions.   Such an exercise will deepen our productive insight and hopefully, our practice.    

 

At the Detroit City Hall show, speaker after speaker took the podium and rhymed and rapped to an eager audience who were quite familiar with the standard script.  Each in succession tried to match, if not outperform, their predecessor.  Because the show was performed in a public hall no donations were collected.  Because it was sponsored by a councilman, no rent was paid. 

 

When the rental tab falls due, it will be picked up by Detroit's overburdened and exploited taxpayers, like most of the lawyers' fees, the settlements, the court costs and the wasted work time spent on the mayoral scandal of Team (Detroit Mayor Kwame) Kilpatrick.

 

What occurred at the rally was formulaic, ritualistic behavior, easy to digest, limited to a comfort zone of the least common denominator.  Nothing much in it to learn, just a repetition of what everyone already knew.  However, rallies do provide some opportunity for networking, entertainmnet, and the development of social contacts. 

 

Vendors, too, can benefit from the sale of products, particularly fast-food and beverages.  T-shirts and other memorabilia might be hawked to supporters of the "cause".  Clean-up personnel and security can also gain employment, since the sponsors never think about cleaning up the mess their followers create when they willy-nilly discard flyers, napkins, wrappers, bags, banners, signs, plastic bottles and trash of all kinds. 

 

Clean-up is not an overhwelming task.  Throughout American history we've been relegated as maids, prisoners, janitors, busboys, street sweepers, garbagemen, yardmen and assistants of all kinds to cleaning up after somebody.  Why can't we clean up after ourselves at home, in our neighborhoods, at our meetings and at our rallies?  You tell me.  Better yet, don't tell me, tell yourself or your black brother. 

 

A case in point is the Million Man March.  It took a million men a week to clean up after that march (though some may call this comment wanton hyperbole).  No in-depth research report was ever written and distributed.  And, of course, no financial report for all those baskets of money that was collected was ever rendered.  Little did the bus companies across America suspect the economic windfall that materialized out of the air for them to haul black men to and from Washington, D. C.  Government largesse could be no sweeter, nor be received with less chance of tax or reciprocity.  All other marches bear similarities, if only on a lesser scale.  Clearly, all black protest can't go the way of Nat Turner or Toussaint L'Overture.  Still, one can hope for more efficient social and economic struggle at some point in our history.

 

If one is socially alienated, rallies can relieve one's isolation or stress, and place one in a crowd of sympathetic congregants all humming the same tune.  The basic idea is to indoctrinate the true believer, not to educate.  "Leaders" are there to pontificate, stroke their own egos and to reassert their "leadership".  Thus, programs are designed not to have a q & a period, or to hold one briefly at the end as an irritating afterthought.  Lord knows the "leaders" don't want anybody to point out any mistakes, to make points on their own, or to provide new information that the "experts" don't know.  Anyone who dares to do that is castigated, labelled a trouble-maker, or verbally abused by the audience of the faithful.  Sometimes "security" is summoned to quell the so-called disturbance.

 

My attitude in recent years has been to hope the speeches are skipped and that the performance procedes directly to the Q & A.  The audience frequently knows as much, if not more, than the speakers, and the members of the audience aren't nearly as pretentious.  This is especially so at city council rallies.  Elected officals seem to think they're ''all that'' using titles which grow longer by the rally.  Every other elected official is called "my dear friend" even though they use less affectionate introductions for their peers offstage.  (e.g. the instance when Detroit City Council woman Monica Conyers called the then City Council President Ken Cockrel Jr. "Shrek".  Subsequently, when Cockrel became mayor, she hugged him lovingly.)   It's all an act, which is ok for the experienced who know the game and the script.  Meanwhile, the affectations grow as each election approaches, while the courtesy to and respect for the voting public may also increase, at least marginally.    

 

Marches frequently preceed the rallies.  In and of themselves both provide public relations for the "Cause", turn the heads of on-lookers, and sometimes earn media attention.  What marches are really good for is exercise, but how often have you heard a group announce they're holding an exercise march, after which they'll host a rally for some community purpose or another.   

  

Praying is another component of the formula.  Prayers can build the spirit, relieve personal tension and affirm personal beliefs.  However, if a group is called to prayer, no one ever considers the varied individual beliefs that might be present in the crowd.  How often are Hindus asked to present.  Or Buddhists?  Or atheists?  Not likely. 

 

And singing.  If the rally is held in a church, singing is a sine qua non.  When the attending choir is capaple, singing can be the best part of the show.  When you have to depend of the audience, you never know what level of quality you'll receive. 

 

In truth, rallies, and the other items on their agenda, are a sign of social, economic and political weakness.  When the rich or the powerful march or hold rallies then you'll know it's a sign of material, political and social strength, and be something the poor or the weak should work on.  Until then, which time will never come to pass, we might as well prepare ourselves for another march, another rally, and more of the same to confront another problem facing our community. 

 

Of course, these actions are culture, class, resource and skill appropriate for their developers, so I can hardly offer a negative critique of what they do.  It has been suggested that at the zenith of community action in the 60s only 2% of the black populace participated in The Struggle.  So any level of involvement today represents significant consciousness, and that I applaud.

 

I have made some marches and rallies in my day (and missed some too.)  If I hadn't, I would be silent.  So I suggest that you too should go through an acquaintance period with rallies and marches, singing and meeting, and then move on.  As for me, at this point I'll leave them to another generation and wish them well.

Some of my readers may ask where are the "solutions" in this essay.  Four brief paragraphs above do contain some alternative suggestions.  But, that said, why should I provide you with "solutions".  I don't owe you any, nor do I intend to suggest (though one could easily think otherwise) that those I critique should, can or will ever change, or that I want them to.  Wouldn't it be better, if you want "solutions", to discover them for yourself.  I'm merely interested in analysis, and I think I've  provided enough of that.  

 

The likelihood is that you're reading this essay in a free media, so there's only so much one should expect for free.  You can always contact me for consultation, but expect to pay for that.  Warmest regards.

                                                

                                                     - 30 -

 

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Comment or criticism: projectbait@att.net  Or access our website: projectbait.blakgold.net


Comment or criticism: projectbait@att.net 
Mr. Rambeau,
I read your case study this morning and thought that instead of "replying to all", I would reply directly.
What you said resonated well with me and the way I think society at large has become so mass entertained that it is hard to talk about issues without adding a dosage of glamour and glitz.  So I come to you, appealing for some knowledge (and discussion). How do I, a young black man work to motivate those around me to do the things that you described in your cast study: agenda develop, study, research, analyze, debate, plan, etc.? 
At some point in my life, I want to be an educator of sorts.  I want to teach high school and eventually teach education at the collegiate level.  However, after receiving lots of "atta boy for giving back" and "teaching is less teaching and more disciplining [in schools now]" it has been hard for me to follow through.  And here I sit, contemplating going to school to learn a trade or seeking a career because the latter is a 'guarantee' to short/long term success.
The hardest problem the "leaders" of the next generation of black pioneers faces is overcoming the over entertainment we have been conditioned to receive in everything we pursue.  And I have yet to find a solid way to navigate around that road block (except not reconnecting my TV and not turning on cable in my house).  People are often willing to hear what you have to say but are unwilling to do anything to prevent you from having to continually say it. 
Knowledge is available so freely now that we often take online text for granted and ignore the experience that comes with going to the library or going to a talk/community discussion, regardless of the topic.  The experience of researching and networking with people to find solutions (and information for that matter) is just as important as the solution itself.
I, also, think our new definition of community is a scary experiment.  Many people live in isolated communities, refuse to help those around them, but complain when things don't seem to be going the their way.  And then they bring these isolationist mentalities into the city, where there is a 'community', and begin to criticize those around them for not being more individualistically minded like them.  However, those same individuals are the ones that come into the city to be entertained, rally support, receive spiritual uplift, etc.
These are just my thoughts up to this point.  I could be going down the wrong path or maybe I missed what you were trying to say.  However, to get me on the right path would require 'consultation' and I am willing to give my time to get towards that path.
Kind Regards,
Miles J. Crumley
My name is Miles J Crumley and I am a 23 years old and currently live in Portland, OR.  My eventual goal in life is to become a college professor in education and learning, teaching a new generation of teachers better ways to teach.  My undergrad work began at Reed College and finished at Portland State University ('08) with degrees in Physics and Psychology.  I enjoy working with youth and am trying to get more involved with the black youth community in Portland, Oregon.  In my spare time, I read, ride bikes with my local cycling team, officiate soccer, and recently started writing.
I hope to correspond with you more in the future.
m
_________________________________________________


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DIRECTOR


David Rambeau
Project BAIT 

313-871-3333 
projectbait@att.net

davidrambeau@hotmail.com 



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The Problem:

How many ounces of an alloy containing 30% gold must be mixed with an alloy comtaining 5% gold to obtain 25 ounces of an alloy containing 20% gold?

Email your answer to projectbait@att.net, or algebradetroit@yahoo.com.  Show your problem solving process.

 



DCAF Poster - D.vine Kapilango



The DCAF Poster - Greg Brown

 
A DCAF poster by Greg Brown
for the Detroit International Black Theater
Conference and Festival
19 - 21 September 2008
Friday, Saturday, Sunday
for more information: 313-871-3333


Production Associates

William Amos  
Kareen Baker
Artinia Barnes 
Jima Braynon
Earnice Bright
Invictor Brooks
Gregory A. Brown
Vincent Bryant
Arthur Cobb
Corwin  Ferguson
Toni Fontana
Matthew Harden
Cedric Hendricks
Katrina Henry
Victor Hill
Heather Johnson
Flora Jones
Dorothy King
Valerie Lane
Willie McLeod
William Nelson
Henrietta Nix
Anna Perry
Cheryl Pouncy
Claire Rambeau
David Rambeau
Gary Roquemore 
Ken Riley
Ron Scott
Tracy Shields 
Deborah Snead
Larry Taylor
Aisha Walker
Joe Williams
Kim Williams
Lawrence X





November 20, 2008

Project BAIT - Black Awareness In Television


August 2008

 

   The DCAF Minutes – Saturday Session, 2 August 08

 

By David Rambeau, coordinator, writer, organizer, communicator

 

           We met Saturday at B&Bs 4200 Woodward corner of Willis, starting at 2 p.m. and continued till 6 p.m. covering a range of topics.  We got into a discussion of love poems and asked that folk who attend next Saturday compose and present a lyric, poem, song or story on love.  A bit off track, but why not…after we finish our business.

 

           Kim – brought and discussed her film.  We discussed her premiering her work at the Manoogian Hall at WSU during the C&F.  She also indicated that she does graphics, so I asked her to do a DCAF poster design for us.    She also brought her laptop, she’s online, and brought her camcorder.  If you can, please do the same.   She taped us, and I hope she will edit and post them under TDMP, Thedamu Presents… on the Internet. 

 

           Mama Rice – brought her remarks to the discussion.

 

           Eddie – brought his remarks to the discussion.   We need him to follow up w/ his graphic designer, and follow up on the theater management proposal we’re working on, and w/ D.vine re our Black Stages annual report, and on fund-raising.

 

           Chris – did some important networking with Dione Saturday.  You should network too.  We look forward to his next edition of MBIG which we hope will include some data on the DCAF.

 

           David – always outreaching for skilled people to participate in the DCAF and you should too.  We need more local theater and design talent and energy.  We meet again next Saturday at 2 p.m. at B&Bs.  Bring a friend.

 

           TP – discussed the progress on his production at Bert’s.  He’ll need a lot of design input.  I hope designers of all stripes are getting ready to step forward to work on theater productions.  He also provided a graphic designer, Carole Wagner, to contact. 

 

           Dione – volunteered another graphic designer referral.  Please get a poster holder and bring your poster for all to see.  You’re scheduled to do an FMP spot re your poster and the DCAF.  We also need you to begin to look at developing the DCAF poster for next year.  (As we need all graphic designers to begin to look forward to next year’s DCAF poster)

 

           Nicholas – a student and potential graphic designer offered his remarks at our session.

          

           Others not at our Saturday Session

 

                Shakaira – offered to contact another potential graphic designer to design an a DCAF poster

 

                Nix – called in

 

                D’vine – needs to contact Eddy about paying our annual Black Stages fee

 

Eddy and I have made an offer to a venue for a theater management arrangement.  We’ll keep you posted on the outcome.

 

Projection – it will take 3 years or three Septembers for us to work out the kinks, to learn how to produce the DCAF.  We have a planner’s vision or journey.  This is only our first year.  It takes practice, practice, practice, and that takes time, time, time.

 

Caution:  Beware of anybody trying to run an email scam on you for funds using my email address.  Someone has stolen my password to davidrambeau@hotmail.com and has been contacting people to send them money.  Beware.

 

Graphic designers.  Bring your work to show it, to sell it.  Get a poster case.  D’vine, Dione, Greg, and all other g/d’s.

 

Potential videographers for the DCAF.  Kim Rice, Will Amos, George Williamson, Deborah Snead, and you.

 

Communication.  The Saturday sessions develop the bonding process, help us to learn names, network, break bread together, get acquainted with one another and brain-storm.   They have both a formal and informal value.  After the business discussion, I was involved in a Pinteresque situation.  One person was talking opposite me when another person erupted with words in my right ear.  Sometimes they talked consecutively, sometimes simultaneously.  I listened to both of them, sometimes consecutively, sometimes simultaneously.  At times I held another conversation with someone on my left.   If they noticed, they didn’t object.  This went on for quite a while as the length of the session described.  And so we enjoyed the afternoon.  Maybe next week I’ll try four narrators.  All on different topics.  That might  be a challenge.

 

Plan ahead.  In 2009 the third weekend is 18, 19, 20,  Friday, Saturday, Sunday.  Check a 2009 calendar.

 

Monday – C McFarland came to the studio and purchased a couple of Black Masks mags.  I still have a few left, and Neh Pitts may have some.  $3 apiece.

 

Kelly Salaam, of Artists Village, called in and volunteered some names of graphic designers, and also expressed interest in attending our next session.  We still interested in bringing folk aboard.  Chazz Miller of the Artist Village emailed in and has beeninvited to the next session.

 

Rose Enlow- called in and offered a VHS camcorder for sale for $60.  I invited her to the session Saturday.

Will Amos - chillwill121@aol.com - said he would work on a poster design.

William Meredith III - of Meredith Publishing, agreed to refer graphic designers he knows.  

We're getting there.  

 

---------------------------------------------

 

July 2008

 

The DCAF Minutes - Saturday, 26 July 08

 

by David Rambeau - writer, organizer, coordinator, communicator

 

Site. We met at Beans & Bytes from 2 p.m. - 4 p.m. and will continue to meet weekly till the c&f in September.  For those who can't meet

Saturday, I go to B&Bs Sundays from 2 - 4 to accommodate schedules.  You don't have to stay for an entire 2 hours, simply come in and

get an in-person update, which may take only 10 - 20 minutes.  Or stay and discuss other projects you're working on or interested in.

Or, if you can't stop, wave as you pass by.

 

For graphic designers.  We have set the design for next year's poster.  We want to use the outline of the bait logo, substituting the globe in the top circle, and the masks of comedy and tragedy in the bottom cirlces.   We've also accumulated the names of 50 designers to contact to participate this year and next.  We intend to send out an urban design network newsletter to our design list, so please submit data on designers who work in any format.  Theater needs various forms of design, and producers need multiple contacts.   

We're also still working on having an exhibition of the DCAF posters, as well as other theater posters developed by theater groups.  We need about 20 items to display and then tour to other cities.  We'll also entertain the use and display of kicker cards or items smaller than posters.  I talked to Delano White, B&Bs owner, about our doing an exihibit at the cafe. 

 

Vince and Sanders Bryant - are committed to working on a poster design.  We need an update from everybody who's working on a design. 

Dione Robinson - got his design put on poster board at Staples.  It looks great. Next, we want to do an interview with him for TDMP...

for cable (Carl Sample - producer) and a 20 second spot on FMP.

Greg Brown has made the copy corrections for his poster design.  His next steps are the same as Dione's. 

 

Caution: Beware of Internet scam artists trying to use my name, email address or the DCAF's name to solicit money.

 

The Urban Theater Magazine.  Mark Wells was put in contact with Hiram Hilliard 313-618-1257, re printing, collating and stapling

his 4-page entry in the magazine.  You should also make contact with Hilliard.   We need 16 pages or 4 sheets to be printed, collated and stapled.  Cost is apportioned over the number of participants.  When we publish you will receive 100 copies to recoup expenses.  Make sure you have two (2) proof-readers check your copy before submitting your copy to Hilliard, and a proofreader after he does the layout.    

 

Modality.  We're operating on a decentralized basis.  Everybody should know what their tasks are and move to follow-through and report in.  If you need help, bring your comments to the session.  Our agenda stays the same from week to week.  The minutes you receive for

updates.  Or use the telephone if you need more attention.  We are trying to keep paperwork to a minimum.

 

Productions.  Lawrence X discussed his prod planned for the ICSC, T. P. Coleman discussed his prod planned for Bert's, and Ron Ayers

discussed plans and story concepts for his prod.  Our list of designers may help you with the design of your production.

 

Webmaster - Doug Doyle discussed his thoughts about improving the bait website - urban theater folder, and the development of

projectbait.org another separate or second site which will be devoted to theater and design audio and video.

 

Supplies.  Please bring your laptop or digital camera, or video camera to our sessions so we can record and communicate data via the Internet and on cable.

 

Perspective.  The DCAF is a roll-off-the-log process which asks those who already possess the capacity or skill to plan, produce and synchronize a production or design for one weekend with the DCAF.  That means about 10 people in each of 10 theater productions, about 10 graphic designers, and about 10 staff people to coordinate our efforts to produce an end resut which will be greater than the sum of its parts.  We're beyond the rhetoric stage; we're at the results stage.  When you come to our Saturday or Sunday session, please be ready to discuss your production.  Thanks.

 

-----------------------------------------------------------------------------------

 

A Tribute To Two Elders - July 2008 

 Held at the Alkebulan Village on Detroit's Eastside

peacequickly!
ccw
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Special thanks to Lawrence X, Mike Anderson, Marvis Cofield, Madison Martin, Jr., Chris Woodard, Barbara Anderson, Tim Moore, Paul Taylor, Queen Mother Osun Dara, Hen Nix, Tipi, Ayo Hunter, Brother Bryan and all those who helped make the event possible.

Detroit, The Virtual City

by David Rambeau

Make no mistake this metaphor is not intended to apply to computers.  This metaphor applies to the shifts, the disappearance, or the reality of the political and economic power of the City of Detroit and its black residents.  Plain and simple.  

The thought at one time, in the 70s, was that urban areas also known as cities could and would be economically, politically and culturally controlled by black people as we attained majority numbers and elected mayors, council people and other officials.  That was the overt posture of the Black Power Movement, if not the Civil Rights Movement. 

Now, in 2008, we see that another picture has emerged and continues emerging.  Each year it becomes clearer.   Detroit, which has the largest percentage of black people in the top 100 cities in the United States, about 85% African-American, is a good example of what’s happening nation-wide.  Washington, D. C., another city with a large black population is under-going the same fate. 

Small cities with substantial black populations that have rotted or declined include Gary, Indiana, Flint and Highland Park, Michigan.  There are others. There is no reason with globalization, the drug trade, the high educational dropout (causing a 47% adult functional illiteracy rate in Detroit) and incarceration rate, the international competition for cheap, unskilled labor, racism, the deindustrialization of the United States, and black self-hate for anything to change for the better, except for the process of urban decline to continue or accelerate.

To recognize the change we need only to observe and review the process of change of those agencies that have gone from city control or face pending endangerment.  They include:

The Detroit Institute of the Arts, the Detroit Historical Museum, the Children’s Museum, the Detroit Zoo, Eastern Market, Campus Martius, the Detroit River Front Conservancy, the Jazz Festival, the Art Festival.  Have I missed any?  Many of these are located in the Cultural Center in Midtown Detroit where black folks are included as an afterthought or something to be tolerated opr marginalized because of an overwhelming numerical presence.  

Downtown Detroit has long since departed to the Downtown Development Authority, a separate tax district where blacks may own and operate a dozen buildings, if not fewer.

Additional Independent agencies include: the Detroit Public Library supported by a separate millage, the Detroit Public Schools, which is seriously threatened by charter schools and an exodus of students, supported by a separate millage and other federal funds.   Meanwhile virtually all of the large building contracts, the textbooks and food service is provided by large corporations.

Going, already gone, or never controlled: the Federal Government – HUD, which finances senior and low-income housing, Work First job training programs, Social Security; to Wayne County – the  sheriffs, and the Road Commission

In the area of Transportation – SMART, the urban/suburban bus-line, which will one day takeover DDOT, the Detroit Department of Transportation.

Health Care – the mega hospitals – the Detroit Medical Center, (DMC), and Henry Ford Hospital

Spiritual & Social Development – Mega churches, tax exempt and independent, supported by tithing and with separate programs and clerical leadership, and in a better position ideologically to unify a group or community of believers and produce a community-based program. 

The main streets are controlled by the Feds, the freeways, and Wayne County, the major streets, and the State

The Water System, the Detroit Department of Water & Sewerage, has been under federal oversight for the last 20 years or so, and may one day shift to a regional authority if mandated by the State.  The DW&SD is the real Detroit jewel that the suburbs covet.

The Tunnel to to Windsor, Canada.  The Mayor wants to make the transfer of Detroit's half to a public authority to plug a multi-million dollar hole in the current budget, so if not this year, then maybe the next. 

Cobo Hall, the river-front convention center, with a budget deficit of $20 mill a year and steadily deteriorating, to a regional authority encompassing Wayne County, Oakland County, Macomb County, and  maybe Windsor and the State of Michigan.

Banks, mortgage companies, and speculators control housing through sub-prime mortgage foreclosures which engulf most of the housing stock.

Insurance companies (home, auto, health, personal) which drain income from Detroit residents like a sewer.  What they don’t get the casinos and their symbiotic cohorts, the pawn shops, do.

These are the prime takeover agencies : the Feds, Wayne County, Public Authorities, Windsor, mega churches, Regional Authorities, the State, tax capture districts,  agencies and mega-sized state and national corporations.

Soon the city parks may go, Belle Isle, Palmer Park, Chandler Park, and Rouge Park, the major parks, to the Huron-Clinton Park Authority, to Wayne County, or to the State to cover Detroit's annual budget deficits and facility upkeep.

Population exodus is expected to cause the population to contract from 900,000 currently, 2008, to 700,000 in the next 20 years. 

Research.  What little is being done by the Feds, the universities and hospitals.

Education - by community colleges supported by a separate millage, and universities by the State.

Basic income – SSI, Social Security, pensions from the Feds, and auto companies.

Communication – the Internet, daily newspapers, television stations radio stations – all privately owned.

The Judicial system – Wayne County, the State, the Feds.

Incarceration – the State, Wayne County, the Feds.  Even local Detroit lockups are under a federal monitor.

Gas stations, (except for a handful) liquor stores and super-markets (with two exceptions) are owned by Middle Easterners.  The only people they hire is family, except for security and trash pick-up.   

What will Detroit retain?  The 6,000 churches which provide 30% of the black males over the age of 40 with the titles: deacon, reverend, bishop or cardinal.  We'll probably have a black pope in Detroit before we'll have a black president for the nation.  One politician actually got his first name changed to "Reverend" so it would appear that way on the ballot. 

Resembling a Third World city, or neo-colony, Detroit, in the private sector, looks like Denmark at the top and Congo at the bottom.   We may keep the neighborhood streets, street lights, garbage collection, police and fire.  For the moment.   And you and me. 

-                                                                                                                                                                                           -                 30       -

David Rambeau is the director of Project BAIT.  For more information access the website: projectbait.blakgold.net.   Comments or questions to: davidrambeau@hotmail.com

 

The Urban Theater Magazine 

May 2008

We are looking for free-lance journalists nation-wide to write 1 - 2 page magazine articles w/ relevant pics

for an entertainment trade journal with a limited, focused circulation.  Inquiries by phone - 313-871-3333

or via email would be appreciated.  Background on project is posted on our website: projectbait.blakgold.net. 

Can you help us?
 
Regards,
 
David Rambeau  
 

The Urban Theater Magazine Notes – April 2008

 

By David Rambeau

 

The cast of the UTM is working on its Premiere Edition bi-weekly Saturdays from 2 – 4 p.m.  We had about a dozen people at our last session, 19 April, and had a lively discussion for about 2 hours.  Muka Miyzaan took minutes which she will send to our current email list.  If you want to have them sent to some of your contacts, please let her know and I’m sure she’ll oblige. 

 

We are defined by the three boundaries of our name. Our focus is urban, and on the creative and expansive practice of theater; our media is the magazine format.  Urban is a global form of social organization.  Urban areas, cities and suburbs, exist in all nations throughout the world with people who are, metaphorically speaking, polka dot, plaid, striped, paisley, herringbone, seersucker, denim and more.  We want them all.  We want to explore theater wherever venues and productions are found. 

 

The UTM will use the magazine format.  We will also use television (Thedamu presents…will be the cable show) and the Internet (projectbait.blakgold.net will be the website).  The magazine media format requires that we utilize writers who are committed to putting words on paper in a focused, concise manner. And we want you, our participants, to be involved not only in the writing, but also in the layout, the underwriting, distribution, promotion and the sale of the UTM.  Join us for our bi-weekly Saturday sessions. 

 

Our premiere edition will have a limited press run of 1,500 copies and will retail for $3 per copy.  Another edition will go to press in three months or so.  Because we will have a limited press run, we urge you to put in your order today for 10 copies or 100. 

 

People tend to come to our sessions with a whole lot of ideas, mouth and attitude.  What I wish they brought was more skills, experience, money and consistency.  But such is life.  We listen to them for a session or two, and then they don’t come back…probably because they run out of big ideas, and finally realize that some of us know what we’re doing and are not going to pull their oar for them.  With, or without them, we’re pressing on, moving forward.  If you think you can fit in, c’mon.  We have a collective social responsibility, so we share a creative opportunity.  Join us. 

    

FYI: Writers, Theater People
 
This week Mark Trevae submitted the first and second draft and graphics of his article on Afro-Brazilian Theater, and Jacinta Shanae submitted the first draft of her first article, a
nd been assigned two additional articles for the premier edition of the Urban Theater Magazine.  Saundra Harris and Angela Raby have also submitted their first drafts of articles.  Penazer Ellison is exploring an article on theater in New Orleans, while Muqarrabah Miyzann has been assigned an article. 

You, too, can be a part of this edition.  We urge you to email your first draft to me asap.  Articles need to be read, discussed and synchronized in our bi-weekly sessions for us to have a successful process.  Every hand is expected to be on deck to pull an oar (write, critique, layout, illustrate, underwrite, and distribute the UTM).  
 
We have a limited number of pages, so we're operating on the basis of ''first come, first served''.
 
We want articles which will be timely, as well as have value a year from now, and as a portrait of the time, ten years from today. 


We are documenting theater history; we are editing and publishing your legacy.  We are asking writers and theater people to do what they do best: tell their story to an interested audience, and be a part of a collective process. 
 
The UTM is supposed to deepen the theater experience, to give the reader something to hold on to.  A flyer or kicker card has a shelf life of 20 seconds.  Magazines or journals become mementos or collectibles. 
 
Won't you cast yourself or your group in our production, the Urban Theater Magazine.  And since you may know of theater groups, or theater people who might be interested in this opportunity, please pass this message on. 
 
Regards,
 
David Rambeau
Editor & Publisher

313-871-3333
 

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Urban Theater Magazine

Interest groups (sports, hobbies, professions, crafts, organizations, etc.) have publications which promote their vocations, avocations, hobbies or interests.
 
Check the magazine racks of any chain or community bookstore for their diversity of publications.  So in this and other cities, we need a publication to analyze, promote, critique, document and archive urban theater in all its various forms and skills.
 
We want to do this with an Urban Theater Magazine (UTM). We ask for your constructive participation.  We want theater groups, venues and practitioners (actors, directors, writers, producers, technicians and teachers) to play an active role in our process through discussion via email, writing articles, distributing copies, advertising, and use of the UTM as a teaching and marketing tool.
 
As you know there's fierce competition for the entertainment patron or dollar in the marketplace.  One way to help you retain your marketshare is to deepen the theater experience.  Let us help you with your process.
 
Contact us at 313-871-3333 for more information.  Or access our website: projectbait.blakgold.net, or email:
davidrambeau@hotmail.com.  Thanks.
 
David Rambeau, Editor & Publisher

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Project:

The Organizing Committee of the Project BAIT Theater Support Program invites you to our bi-weekly meetings Saturdays, (upcoming sessions: 22 March and 5 April, and 19 April and 4 May 2008) at 2 p.m. at Beans & Bytes Coffeehouse, 4200 Woodward @ Willis.  FMI 313-871-3333 

Please bring a spiral notebook and pen to take notes during our discussion and get your assignment.  Or, if you have one, bring your laptop computer, a digital camera, your audiotape recorder, or videorecorder to tape the session for communication and archival purposes. 

The sessions may be videotaped for airing on Thedamu Presents....on local cable and diverse Internet outlets.  For more information check our website, or call 313-871-3333.

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 The African Report

with Lawrence X

 

David Rambeau:   Project B.A.I.T. news analysis, The African Report, with Lawrence X.  This is a special edition because we will be talking about African-Liberation Day Celebration.

Lawrence X:  David, you know it is a honor, privilege and pleasure to be involved in Project B.A.I.T. in terms of our African world view.  We would like to say “Long Live the Spirit of Saint Malcolm X”, also known as El Haj Malik El-Shabazz.  The Honorable Marcus Mosiah Garvey in his Essay on African fundamentalism states we must canonize our own saints.  We in Project B.A.I.T. feel if there is anyone who popularized critical analysis it is St. Malcolm X and we refer to his speeches that were delivered in Detroit, such as Message to the Grassroots and Ballots or Bullets.  We are showing our age here because they were popular, selling millions of what we call LP’s (long playing records), so it demonstrated that our people enjoyed critical analysis.

David Rameau:  Why is this important today, that is the celebration and recognition of Marcus Garvey and Malcolm X.  Garvey had 90 years of support of African Liberation. This ancestor pushed Africa for the Africans both Home and Abroad, way before Roots, before internet, television, radio and St. Malcolm in terms of critical analysis.

As we look at African Liberation Day coming up May 25th with our celebration in Detroit May 23rd, 24th and 25th, it is amazing, if you go or anyone goes to the website africanliberationday.net sponsored by All African People’s Revolutionary Party we associate with out ancestor Kwame Toure, you will get a sense of ten African countries supporting African Liberation Day; two cities in the United Kingdom – Birmingham and London; Kingston, Jamaica; Virgin Island; ten US cities; Argentina; Brazil; Madrid, Spain, all involved in African Liberation Day.  It is no joke.  It is thousands upon thousands of brothers and sisters coming together.  Also in these hard economic times everyone agrees that emerging markets is where to get a return on investments.  So we say that African Liberation support is an investment and not a donation and when we look at it like that it opens up tremendous possibilities for our future.

David Rambeau:  Could you go into more details on this investment concept as opposed to the donation concept and what is means psychologically for our community.

Lawrence X:  A sister out of Portland State University in 2003 wrote a piece called “Posttraumatic Slave Disorder” off of the PTSD (posttraumatic stress disorder).  But to look at it from a slave disorder looked at so many of our problems, that for hundreds of years in this country we were conditioned to be anti-family.  We were conditioned not to respect each other.  And just because we moved out of the slave cycle, it ended in 1979 in terms of 1619 to 1979, we still carry that baggage.  So many of our young people born after 1980 carry that baggage, it was just passed down.  So if for no other reason when we talk about reparations, we don’t go like Black Man Rutherford when he sings about reparation, a Coupe de Ville and a house on a hill, we are speaking of first and foremost internal repair.   I mean the whole question of dealing with African Liberation Day is a jump off of us seriously dealing with internal repair.  Just like we in Project B.A.I.T. are having a post ALD program on May 31st, which you will hear more about it and when you add the Afro-Cubans, the Afro-Haitians, the Afro-Brazilians, the brothers and sisters on the continent, when we deal with Africans born in slave American, we can look at a lot of problems.  We just want to go here, there and everywhere quickly.  When we analyze the City Hall scandal, it is around the question that technology is value free but we cannot afford to be.  We must have core values.  So when we look at internal repair aspects that African Liberation Day gives us a jump off point that we concretely get into the street and we start being serious about applying that which we believe in, it is very, very helpful.  No African-centered person should be attacking another African-centered person after St .Malcolm’s day.  I mean one thing that we get out of his critical analysis is that we need to calm down, take a deep breath and cease fire on each other.

David Rambeau:  You mention all of these places around the world that are participating in African Liberation Day.  Can you give us a little bit more detail in terms of what is happening on the ground and what is happening overseas or in the diaspora affect of here in the City of Detroit.

Lawrence X:  Thank you for the question.  Let go to Washington DC.  May 24th All African People’s Revolutionary Party is having their ALD.  The quote is from Kwame Toure and I am paraphrasing, ALD is just another day that we can organize our people.  The next day the African People’s Socialist Party is having their ALD program at Thurgood Marshall Center in Washington DC.  To get to your point, their slogan is Revisiting Ballots or Bullets, Is Barack Obama Black Power.  That alone is an interesting question that we need to pursue in the City of Detroit for a number of reasons.  We look at Barack Obama now; because he has problems with the white working class vote, he is now speaking of his mama, his grandmamma, his father-in-law but dropping the piece about father from Kenya.  So it is an important question to look at in terms of personality or program as we move forward going towards the November election.  So Washington DC, their slogan is important.  We in the City of Detroit, our slogan is Garveyism Now More than Ever.  So we look at that slogan, because as we mention earlier from a material point of view, from an economic point of view we have to see Africa and African Liberation support as an investment.  Because with oil at $126 dollars, we’ve got to get in the commodity business.  It is important that we globalize our economic relations in Detroit.  It is not enough that we only go local, county, state or national.  We have to get into the commodity business in order to help our people; particularly those on fixed income as they go through the ravages of the hidden regressive tax called inflation.

David Rambeau:  This has been another Project B.A.I.T. news analysis, The African Report, with Lawrence X.

If you want more information about Project B.A.I.T. check our website projectbait.blakgold.net and for our new website dbtcaf.com, Detroit Black Theater.com 

Peace to the Detroit Nation 

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A Detroit - New Orleans Connection
 
by David Rambeau


Everyone wants to expand their business.  If you're doing business in Detroit or Michigan, both of which have declining populations, high unemployment and a shrinking core industry, U. S. auto companies, you need to consider exapnding your sales into other urban areas. 
 
We in Project BAIT are always giving a thought to how we can enter other&n